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Amy Tan & Stewart Wallace
In conversation with Roy Eisenhardt
Monday, September 15, 2008
Amy Tan, is one of the most widely read writers of our time.
She is the author of The Joy Luck Club, The Kitchen God's Wife,
The Hundred Secret Sense, and two children's books, The Moon
Lady and The Chinese Siamese Cat, which was turned into
the PBS series Sagwa. Tan's stories have appeared in The
Atlantic, Harper's Bazaar, The New Yorker, as well as numerous
anthologies. She has recently collaborated on the libretto for the
San Francisco Opera's adaptation of her best-selling novel, The
Bonesetter's Daughter, which tells the story of belated intergenerational
understanding and is set in both modern-day San Francisco and the
Chinese countryside during the tumultuous events surrounding World
War II.
Composer Stewart Wallace grew up in Texas, both playing
in a rock and roll band, and singing as a cantor in his synagogue.
He describes himself as an entirely self-taught composer; he began
writing music when he was eight-years old, and wrote his first opera
as his thesis for an interdisciplinary honors program at the University
of Texas at Austin. He's major breakthrough came with his fifth
opera, Harvey Milk, which he wrote with long-time collaborator,
librettist Michael Korie. The hugely successful Harvey Milk debuted
in Houston before traveling to New York, San Francisco and Germany.
In addition to his work with opera, Wallace has composed several
film scores and a popular ballet of J.M. Barrie's Peter Pan.
Roy Eisenhardt practiced law for twelve years in San Francisco
and taught at UC Berkeley's Boalt Hall School of Law. He was President
of the Oakland Athletics and served as the Executive Director for
the California Academy of Sciences for five years. Roy Eisenhardt
has been a frequent interviewer for City Arts & Lectures for
the past fifteen years.
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